![]() ![]() In fact, the big kiss between the two leads here is one of the worst seen in any Korean drama. It’s a neat idea in theory, but one that’s squandered with some poor editing, lots of drawn out segments and absolutely zero chemistry between the lead actors. For those who watched Alice last year, the Control Bureau are essentially the same sort of overarching organization, spending their time tracking down “illegals” people who have jumped from the future back to the present. ![]() Only, Sisyphus doesn’t have the wherewithal or the writing pizzazz to pull it off.Īll of this is made worse by numerous contrivances and plot issues along the way, stemming from simple items like future-predicting diaries right the way through to big developments with the series’ big bad and the Control Bureau. What follows is a contrived journey that spends a good chunk of its time borrowing sci-fi concepts from other shows. Using the same technology that Tae-Sul himself is developing in 2020, Seo-Hae is told to track down this man and save the world before it’s too late. In the year 2037, a young woman named Seo-Hae is tasked with a mission – stop this nuclear apocalypse from ever taking place. The result of which leaves Korea a ravaged nuclear wasteland with few survivors. Unfortunately, that change also brings with it a nuclear war that ravages the East, with North and South Korea trading nuclear warheads to devastating effect. He’s managed to move Matter from one place to another, which promises to change the world forever. A genius engineer, this man prepares for a breakthrough with his new technology, aptly named the Uploader. Unfortunately what begins as a simple plot hole soon grows into an unavoidable black hole, consuming every inch of this show and sucking out any redeeming features Sisyphus may have had.Īt the center of all this carnage lies our main protagonist Tae-Sul. ![]() Not only are these brilliantly shot, they also pave way for a fascinating story to follow. Sisyphus: The Myth doesn’t just blow itself up in this proverbial minefield, it runs full force into mine after mine, determined to blow as many as possible across its 16 episodes.īefore we dive into that though, Sisyphus: The Myth actually begins with a really solid premise and a fascinating, action-packed set of episodes to kick things off. There are a few that manage to step through to the other side, but for many they end up lying in a minefield of wasted potential. From a simple Grandfather Paradox to an intricate web of nonlinear timelines, this minefield of writing fails are hard to navigate unscathed. Any TV show or movie about time travel always has a tough time getting the ending right. ![]()
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